Originally written for Exeunt - March 6th 2015
Everytime I think of the experience of watching Missing by Gecko, my throat closes up and all I can do is wave my hand around as if I have something to say. But with eyes searching for a language quite beyond words, I fall short at “I just…I just…”
Everytime I think of the experience of watching Missing by Gecko, my throat closes up and all I can do is wave my hand around as if I have something to say. But with eyes searching for a language quite beyond words, I fall short at “I just…I just…”
To now be
writing a review of it, then, as you can understand, is a little problematic.
But here goes.
Missing is the story of Lily, a woman who
goes to an office party, meets a man, falls in love, gets married, and then
sees that relationship fall apart. Through psychological and biological X-ray
analysis, a man helps her to see that she needs to come to terms with her own
past, and see that her parents’ own fractured marriage is not a reflection on
her. In the end, she finds a way to embrace her full name – Liliana – and her
Israeli heritage, as well as all of the good things she has inherited from her
parents, like the ability to salsa dance.
Everyone
arrives onstage via a conveyer belt, setting the precedent for a story that wrestles
with the parts of our lives that are outside of our own control. It is also the
vehicle for a procession of people in suits carrying cardboard boxes close to
their chests, with little white orbs of light shining out of them. These, as it
transpires through Lily’s story, represent the past we carry with us every day
that shines out of us, whether we want it to or not.
Then there’s
the music and the sound, amplified in the Grand Hall at the BAC to hit you
square in the heart with reverberations that are – yes – exactly how an office
party sounds, and exactly how a dinner party sounds. More than that, we hear
the sound of the internal combustion that occurs in an argument between people
who love each other but can’t stop sparring. It is the sound of an electric
shock which buzzes, irritates and aggravates, with a flash of light that hits
the stomach of Lily’s mum and dad every time they raise their voice to each
other.
Yes – and
there’s the lighting, blindingly bright enough to wake you from the turmoil of
having seen a marriage fall apart, then dim and warm enough to transport you to
the bar where Lily’s parents first meet. These scenes provide some lovely light
relief while Lily’s father masquerades as a waiter for the night, just to catch
the attention of the woman who will become his wife. It works – a beautiful
little puppet walks in between them, and we welcome Lily to the world.
There is not
a lot of text to the piece – and not a lot in English – and yet each moment is
communicated with total clarity. In fact, the choreography is where it hurts
and delights the most: the frantic, desperate, thrashing movements of Lily’s
parents sit somewhere between violent and beautiful, and are offset every time
by the innocent entrance of the older or younger Lily, interrupting her parents
at war. It is experienced profoundly and viscerally, and it is heartbreaking.
At times, it
is difficult to bear. What Gecko have created is thorough, and faultless, and
calculated, and sensitive and searching, and just utterly gorgeous. It is
theatre as I never expected it to be. It is theatre as catharsis, as spectacle,
as storytelling. After three years of touring the show, you might expect a
certain level of expertise at this point. But on all cylinders? And still
performed with a freshness akin to the excitement of unleashing a show for the
very first time? No. No, this is something quite special.
Three days
later, I’m still raw, still reeling, still gazing forlornly out of windows and
declaring to anyone who hasn’t seen this show that we simply cannot understand
each other anymore, such is the integral shift within me. Missing has left a
gaping hole in my chest and will, I fear, be ephemerally and eternally the
thing missing from my life.
I just – I
just – I don’t know what I can say. Gecko said it perfectly with barely any
words – maybe I should return to just waving my hand around.